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Sony FE 28-70mm f/2 GM Lens (Sony E)

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Sony FE 28-70mm f/2 GM Lens (Sony E) - Main image
$2275.62 $3298 In stock

Category: Mirrorless Lenses

The FE 28-70mm f/2 GM is a standard zoom that holds f/2 throughout — a full stop
faster than the f/2.8 zooms it competes with, which is the argument for carrying
it instead of a set of primes. It weighs 2 lb and measures 5.5″, about 28% larger
than the 24-70mm f/2.8 GM II for twice the light.

Optics

  • XA (extreme aspherical), Super ED, ED and aspherical elements against aberration.
  • Nano AR Coating II to suppress flare and ghosting.
  • Floating focus design holding sharpness from infinity down to the 1.2′ minimum focusing distance.
  • 11-blade rounded diaphragm for circular bokeh.

Autofocus and video

  • Four XD linear motors, near-silent, supporting continuous shooting to 120 fps and video AF to 240 fps.
  • Internal focusing for consistent length on a gimbal.
  • Minimal focus breathing, with Breathing Compensation support on select Sony bodies.

Controls

  • Manual aperture ring with a de-click option for silent adjustment.
  • Zoom smoothness switch to set torque between smooth and tight.
  • Two customizable focus hold buttons and a focus mode switch.
  • Lockable lens hood with a filter window for adjusting a polarizer without removing it.

Build

  • Rear-weighted balance for handheld use.
  • Dust and moisture resistant with rubber gaskets and seals.
  • Fluorine coating on the front element.
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United States · Return window (days after delivery): 30. Return method: By mail. Return postage: Seller pays.

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Customer Reviews (4.8 / 5 · 5 reviews)

Lily ★★★★★

The f/2 aperture staying constant through the whole range is a game-changer for indoor events—I shot a dimly lit wedding reception without touching ISO above 3200. It’s heavier than my old primes setup, but the weight is worth not swapping lenses mid-dance.

Timothy K. ★★★★★

Stepping from a typical f/2.8 zoom to this f/2 is immediately obvious in club lighting—the extra stop makes a real difference when the sun goes down. The constant aperture through the whole range means I'm not adjusting settings mid-shot, which has saved more than a few near-misses. It's noticeably

Victoria Z. ★★★★★

I've been shooting events with this lens and the constant f/2 really lets me keep my ISO lower in dim ballrooms. It's surprisingly manageable weight-wise for what it delivers, and I haven't missed my prime setup once.